Skip to Navigation

Sacred Music Library

The Department of Sacred Music is pleased to offer free of charge to you the Liturgical Music PDF Library. For any comments or suggestions, please contact us.

When you look at music on the web site, and wish to download it to replace something else, please look at the footer of the page to see the revision number (Rev. 1, e.g.) or the date to make sure that it is the latest one out there, or at least later than the one you currently have.

The music listed below is in alphabetical order according to either Title, or Season (like Lent or Feast Days), or is Grouped according to type of hymns (such as Antiphons, Communion Hymns, etc.). If it is a Group heading, click on the title of the Group, for example, "Annunciation to the Theotokos," and then all the hymns in that group will unfold under the title.  Then click on the title of the hymn you wish to see or download.

To SEARCH for a particular hymn, you may either
     1) scroll down (or click on the letter of the section you'd like) and find it alphabetically; and click on the Title or the Group Heading, or
     2) type a few words of the Title or beginning words of the hymn in the Search Box and click Apply, or
     3) click on one of the Keywords in the table shown below, or in the right column next to each hymn.
       Then, you must click on the title of the hymn itself in order to open up the PDF file to view it or download it.
If you search for a hymn, or click on one of the Keywords, only hymns associated with that Search or Keyword will display. To go back to the full listing, click on the link "Show All Files." If you cannot find a particular hymn, please send us an email and we will get back to you as soon as possible.

Keywords

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Displaying All Music with Keyword: Byzantine Tone 7
Show All Files

Title & Description Keywords
A
Anaphora-Barr

This music starts with the Ektenia (Litany) of the Prothesis and continues to the end of the Anaphora. 

Arise, O God

Sung at the Vesperal Liturgy on Holy Saturday morning

B
Bless, O Lord, Thy Servants

Sung at weddings

G
God is the Lord-Tone 7/Grave Mode [Listen]

This is the music and audio for the new "God is the Lord" in Western and Byzantine Notation.  Click on "Listen" to hear it chanted.

Great Doxology - Tone 7

Sung at the end of Orthros (Matins)

M
Matins - Magnifications at the Katavasiae, All Modes

Magnifications at the Katavasiae, "More honorable than the Cherubim...", all tones/modes.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 7/Grave Mode

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 7/Grave Mode.  The music is in Western & Byzantine notation.

Matins, Kazan - Doxastikon and Theotokion at the Praises for Eothinon 07, Tone 7

Doxastikon and Theotokion for the Seventh Eothinon at the Praises, Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 7

Praises and Resurrectional Stichera, Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 7

Prokeimenon for the Resurrectional Orthros Gospel, Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion at Praises-T7

This is the Theotokion at the Praises sung at Orthros following the Glory (Doxastikon).  "Most blessed art thou, O Virgin Theotokos . . . ."

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 7

Troparion of the Resurrection after the Great Doxology, "Having risen from the tomb", Tone 7/Grave Mode, from the Kazan Matins book.

O
O Lord, I have cried (Brief - Tone 7) [Listen]

This is the brief version of "O Lord, I have cried unto thee" in Tone 7, which may be sung at Daily Vespers.  (The Byzantne version will be added when it is available.)

O Lord, I have cried (Brief versions-Tones 1-8)

These are the quick, brief versions of "O Lord, I have cried," in all 8 tones, sung at Daily Vespers.  (The Byzantine versions will be added when they are finished.) Updated 5/20/2020.  (For recordings of each tone, go to each tone itself listed in this Group.)

Ordination Troparia

Troparia sung at the ordination of a priest or deacon

P
Paraklesis-Great

The musical score for the service of Great Paraklesis, including Holy Transfiguration Monastery's metered translation of the Canon written out with Western notation.  Updated 8/10/2020, with a certain text, Apolytikion, and new file name, from b to c.

Pentecost, Full 9th Ode of both Canons

This is the Full 9th of both Canons of Pentecost, 50 days after Pascha.  "O thou who without experience of corruption . . . Rejoice, O holy Queen, boast of virgins and mothers . . . ."  The music is in Western & Byzantine notation.  Updated 6/3/2020.

Pentecost, Katavasia of Canon 1 (Ode 9)

This is the Katavasia of Ode 9 of the 1st Canon of Pentecost, 50 days after Pascha.  "O thou who without experience of corruption . . . ."  The music is in Western & Byzantine notation.  Update 6/3/2020.

Pentecost, Katavasiae of Canon 1 (Odes 1-8)

These are the Katavasiae of Odes 1-8 of the 1st Canon of Pentecost, 50 days after Pascha.  "He Who quencheth wars with a lofty arm . . . ."  The music is in Western & Byzantine notation.  Updated 5/31/2020.

Pentecost, Katavasiae of Canons 1 & 2 (Odes 1-8)

These are the Katavasiae of Odes 1-8 of both Canons of Pentecost, 50 days after Pascha.  "He Who quencheth wars with a lofty arm . . . He once slow of tongue, in divine darkness covered . . . ." in alternating fashion.  The music is in Western & Byzantine notation.  Updated 6/8/2020.

Pentecost, Megalynarion (Hymn to the Theotokos)

This Megalynarion is sung on the Feast of Pentecost.  "O Mother that hath known no man . . . ."  Updated 6/4/2020.

Pentecost, Megalynarion (Hymn to the Theotokos)-chant

This is the chant version of the Megalynarion (Hymn to the Theotokos) sung on Pentecost during the Divine Liturgy.  "O thou who without experience of corruption . . . ."  The music is in Western & Byzantine notation.

Presentation (Meeting) of Our Lord in the Temple, Stichera at the Aposticha

These stichera are sung at Vespers for the Aposticha & Glory/Both now on the Feast of the Presentation (Meeting) of our Lord in the Temple, February 2nd.  "Adorn thy chamber, O Zion . . . Glory . . . Both now . . . He that rideth on the cherubim . . . ."

Prokeimenon, 06 Friday Vespers

The Prokeimenon sung at Vespers on Friday evening.  "Thou, O God, art my helper, and Thy mercy shall go before me."

Prokeimenon, for Friday at Vespers

This Prokeimenon is sung at Friday Vespers, Tone 7/Grave Mode.  "Thou, O God, art my helper . . . ."

Holy Saturday Vesperal Liturgy, Prokeimenon

This Prokeimenon is sung after the Epistle lesson on Holy Saturday morning Vesperal Liturgy.  "Arise, O God, and judge the earth . . . ."

Prokeimenon-Orthros, Our God is in Heaven

This is a Great Prokeimenon:  "Our God is in Heaven and on earth; He hath done whatsoever He hath pleased."

R
Resurrectional Apolytikion, Tone 7 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 7/Grave Mode.

Resurrectional Theotokion at the Apolytikia, Tone 7 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 7/Grave Mode.

Rich men have turned poor

This hymn is sung at toward the end of the Artoklasia service (blessing of the 5 loaves), usually a part of Vespers, after the Litya, for special feasts and saints' days.

S
Sunday of the Forefathers of Christ, Glory & Both now at the Praises

This Glory and Both at the Praises are sung on the Second Sunday before Christmas, the Sunday of the Holy Forefathers of Christ, December 11-17.  "Come, let us all celebrate the anniversary of their memory . . . ."

Sunday of the Forefathers of Christ, Glory at the Praises

This is the Glory (Doxastikon) sung on the Sunday of the Holy Forefathers of Christ, December 11-17.  "Come, with faith let us all celebrate . . . ."

T
Thomas Sunday (New Sunday), Apolytikion

This is the Apolytikion (Troparion) sung on Thomas Sunday (New Sunday).  The music is in Western and Byzantine notation.  "While the tomb was sealed . . . ."

Thomas Sunday (New Sunday), Apolytikion (choral)

This Apolytikion (Troparion) is sung on the Thomas Sunday, the Sunday after Pascha.  "While the tomb was sealed . . . ."

Transfiguration, Apolytikion (chant)

Apolytikion for the Feast of the Transfiguration of Christ (6 August).  "When thou, O Christ our God, wast transfigured on the mountain . . . ."

Transfiguration, Apolytikion (choral)

This is the choral version of the Apolytikion of the Transfiguration of our Lord.  "When thou, O Christ our God, wast transfigured on the mountain . . . ."

Transfiguration, Kontakion (chant)

Kontakion for the Feast of the Transfiguration of our Lord (6 August).  "Thou wast transfigured on the mount . . . ."

Transfiguration, Kontakion (choral)

Kontakion for the Feast of the Transfiguration of the Lord (6 August).  "Thou wast transfigured on the mount . . . ."

Transfiguration, Troparion (choral)

Apolytikion for the Feast of the Transfiguration of Christ (6 August).  "When thou, O Christ our God, wast transfigured on the mountain . . . ."

Troparion of the Resurrection - Tone 7

Convention music-6.7

Synaxis of the Theotokos at Miasinae, Apolytikion

This Apolytikion is sung for the Synaxis (Miracle) of the Theotokos at Miasinae, September 1st.  "Rejoice, thou who art full of grace, O Virgin Theotokos . . . ."  The music is in Western & Byzantine notation.

V
Vespers, Kazan - "O Lord, I have cried" with verses and Resurrectional stichera, Tone 7

"O Lord, I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 7/Grave Mode.  "Come let us rejoice in the Lord . . . ."

Vespers, Kazan - Glory, Fast Final, in Assorted Tones

Fast Final Glory in various Byzantine tones, from Kazan Vespers book.

Vespers, Kazan - Glory, Slow Final, in Various Tones

Slow (Sticheraric) Final Glory in the various tones, from the Kazan Vespers book, adapted. Updated 1/14/17.

Vespers, Kazan - Prokeimena, Weekdays, Sun-Fri

Prokeimena for weekday Vespers, Sunday to Friday evening.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 7

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 7/Grave Mode.  "Thou hast risen from the tomb, O Savior of the world . . . All we earthly ones, O Lady . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 7

Resurrectional Aposticha, Tone 7/Grave Mode.  "Thou hast risen from the tomb, O Savior of the world . . . ."

Vespers, Kazan - Resurrectional Theotokion at "O Lord, I have cried" (Tone 7)

Theotokion for the Resurrection at "O Lord, I have cried," Tone 7/Grave Mode.  "O pure Theotokos, thou wast known as a mother . . . ."

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 7

Theotokion for the Resurrection at the Aposticha, Tone 7/Grave Mode.  "All we earthly ones, O Lady . . . ."

W
Who Is So Great A God

Great Prokeimenon sung at Vesper Service on the eve of the Sunday of Orthodoxy, Pascha (Agape), and Pentecost.  There are two versions here:  1) Tradition, and 2) The combined Western & Byzantine version by Chadi Karam.  File updated 6/8/2020.

Who Is So Great A God

"Who is so great a God as our God? Thou art the God Who workest wonders."  This is sung at the evening Vespers on the Sunday of Orthodoxy, on Pascha (Agape Vespers), and Pentecost.