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General season

Great Litany (simple chant)

Grouping: 
Litanies

These are two simple versions of the Great Litany.

Great Litany-Byzantine

Sheet Music: 
Grouping: 
Litanies

This Great Litany (Ektenia) in chant form can be used for the beginning of any of our services. 

Paraklesis-Small, Katabasia (Ode 9) of the Canon

Grouping: 
Katavasiae

This is the Katabasia only (Ode 9) of the Small Paraklesis, as sung on the Saturday of the Raising of Lazarus the Righteous.  "Most rightly we confess thee . . . ."

Paraklesis-Small, Katabasiae (Odes 1-8) of the Canon

Grouping: 
Katavasiae

These are the Katabasiae only (Odes 1-8) of the Small Paraklesis, as sung on the Saturday of the Raising of Lazarus the Righteous.  "Traversing the water as on dry land . . . ."

Prokeimenon, for Friday at Vespers

Grouping: 
Prokeimena, Daily Vespers

This Prokeimenon is sung at Friday Vespers, Tone 7/Grave Mode.  "Thou, O God, art my helper . . . ."

Lord, have mercy (10x4)

This is a set of 10 Lord have mercies, which may be sung 4 times for when 40 LHMs are needed, or 10 times quickly when 100 are needed, such as for the Feasts of the Cross on August 1st and September 14th.

Matins - Magnifications at the Katavasiae, Tone 8/Plagal Fourth Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 8/Plagal Fourth Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 7/Grave Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 7/Grave Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 6/Plagal II Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 6/Plagal Second Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 5/Plagal I Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 5/Plagal First Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 4/Fourth Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 4/Fourth Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 3/Third Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katabasiae, "More honorable than the Cherubim...", Tone 3/Third Mode.  The music is in Western & Byzantine notation.  Updated 1/12/17.

Matins - Magnifications at the Katavasiae, Tone 2/Second Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 2/Second Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, Tone 1/First Mode

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 1/First Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, All Modes

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", all tones/modes.  The music is in Western & Byzantine notation.

Prokeimenon, Saturday Vespers

Grouping: 
Prokeimena, Orthros-Lent-Saints

Prokeimenon for Saturday Great Vespers, Tone 6/Plagal II Mode.  "The Lord is King . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 8

Grouping: 
Vespers, Kazan Byzantine Project

Resurrectional Aposticha, Tone 8/Plagal Fourth Mode.  "Thou didst ascend the cross, O Jesus . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 7

Grouping: 
Vespers, Kazan Byzantine Project

Resurrectional Aposticha, Tone 7/Grave Mode.  "Thou hast risen from the tomb, O Savior of the world . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 6

Grouping: 
Vespers, Kazan Byzantine Project

Resurrectional Aposticha, Tone 6/Plagal Second Mode.  "Thy resurrection, O Christ our Savior . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 4

Grouping: 
Vespers, Kazan Byzantine Project

Aposticha for the Resurrection, Tone 4/Fourth Mode.  "When thou wast lifted up upon the cross, O Lord . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 3

Grouping: 
Vespers, Kazan Byzantine Project

Aposticha for the Resurrection, Tone 3/Third Mode.  "O Christ, who didst darken the sun with thy passion . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 2

Grouping: 
Vespers, Kazan Byzantine Project

Aposticha for the Resurrection, Tone 2/Second Mode.  "Thy resurrection, O Christ Savior, hath illumined the whole universe . . . ."

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 8

Grouping: 
Vespers, Kazan Byzantine Project

Theotokion for the Resurrection at the Aposticha, Tone 8/Plagal Fourth Mode.  "O Virgin without groom, blameless one . . . ."

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 7

Grouping: 
Vespers, Kazan Byzantine Project

Theotokion for the Resurrection at the Aposticha, Tone 7/Grave Mode.  "All we earthly ones, O Lady . . . ."

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 6

Grouping: 
Vespers, Kazan Byzantine Project

Theotokion for the Resurrection at the Aposticha, Tone 6/Plagal Second Mode. "O most chaste and pure one . . . ."

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