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Byzantine Tone 6

Cheese Fare (Forgiveness) Sunday, Doxastikon (Glory) at the Aposticha at Vespers

This is the Glory to be sung at the Aposticha on Cheese Fare (Forgiveness) Sunday, Tone 6/Plagal Second Mode.  "Verily, Adam for eating was driven from Paradise . . ."

Cheese Fare (Forgiveness) Sunday, Doxastikon (Glory) at "O Lord, I have cried"

This is the Glory to be sung at "O Lord I have cried" on Cheese Fare (Forgiveness) Sunday, Tone 6/Plagal Second Mode.  "Verily, Adam sat opposite paradise . . ."

Meat Fare (Judgment) Sunday, Katabasia Ode 9

Grouping: 
Katavasiae

This Katabasia is from the 9th Ode of the Canon of Meat Fare (Judgment) Sunday, Tone 6/Plagal Second Mode, "Verily, the Nativity is ineffable ..."

Meat Fare (Judgment) Sunday, Katabasiae Odes 1-8

Grouping: 
Katavasiae

These Katabasiae are from Odes 1-8 of the Canon of Meat Fare (Judgment) Sunday, Tone 6/Plagal Second Mode, "A help and refuge ..."

Meat Fare (Judgment) Sunday, Stichera at the Praises

Grouping: 
Praises

These stichera are sung at the Praises on Meat Fare (Judgment) Sunday, Tone 6/Plagal Second Mode, "I picture that day and that hour..." and Tone 8/Plagal Fourth Mode, "Verily, Daniel the Prophet..."

Saturday of Souls, Theotokion at the Aposticha

Grouping: 
Saturday of Souls

This is the Theotokion (Both now) at the Aposticha for the Departed at Vespers on Saturday of Souls, Prosomoion "As it is written."  "O Savior, by Thy Mother's prayers."

Prodigal Son, Doxastikon & Theotokion (Glory-Both now) at the Praises

This is the Glory & Both now sung at the Praises of Orthros/Matins on the Sunday of the Prodigal Son, during the Triodion.  "O Good Father, I have withdrawn from thee . . . Most blessed art thou . . . ."

Prodigal Son, Katabasiae

Grouping: 
Katavasiae

These Katabasiae are sung on the Sunday of the Prodigal Son during the Triodion.

Prodigal Son, Doxastikon (Glory) at the Aposticha

This is the hymn sung as the Glory at the Aposticha on the Sunday of the Prodigal Son.  "Having squandered the riches of the fatherly gift . . . ."

Pharisee & Publican - Forgiveness Sunday, Katabasiae

Grouping: 
Katavasiae

These Katabasiae are sung on the Sunday of the Pharisee & Publican as well as on the Forgiveness Sunday during the Triodion.

Open To Me The Doors of Repentance

These three hymns are sung during the Season of the Triodion, in Orthros as the Post-Gospel hymns after Psalm 50, from the Sunday of the Pharisee and Publican to the 5th Sunday of Lent.  They are in Western & Byzantine notation.  Tone 8/Plagal Fourth Mode & Tone 6/Plagal Second Mode.  Updated 2/3/18.

Paramon (Eve) of the Nativity of Christ, Stichera at the Praises

Grouping: 
Forefeast and Paramon (Eve) of the Nativity of Christ (Dec 20-24)

These are the Stichera at the Praises for the Forefeast of the Nativity of Christ, December 24th, Prosomoion "Ye angelic hosts."  "O the untold myst'ries, transcending understanding . . . ."

Matins - Magnifications at the Katavasiae, Tone 6/Plagal II Mode

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Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", Tone 6/Plagal Second Mode.  The music is in Western & Byzantine notation.

Matins - Magnifications at the Katavasiae, All Modes

Grouping: 
Magnifications (More honorable) at the Katavasiae (Canon)

Magnifications at the Katavasiae, "More honorable than the Cherubim...", all tones/modes.  The music is in Western & Byzantine notation.

Prokeimenon, Saturday Vespers

Grouping: 
Prokeimena, Orthros-Lent-Saints

Prokeimenon for Saturday Great Vespers, Tone 6/Plagal II Mode.  "The Lord is King . . . ."

Vespers, Kazan - Resurrectional Aposticha, Tone 6

Grouping: 
Vespers, Kazan Byzantine Project

Resurrectional Aposticha, Tone 6/Plagal Second Mode.  "Thy resurrection, O Christ our Savior . . . ."

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 6

Grouping: 
Vespers, Kazan Byzantine Project

Theotokion for the Resurrection at the Aposticha, Tone 6/Plagal Second Mode. "O most chaste and pure one . . . ."

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 6

Grouping: 
Matins, Kazan Byzantine Project

Troparion of the Resurrection after the Great Doxology, "Having risen from the tomb", Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for Eothinon 10, Tone 6

Grouping: 
Matins, Kazan Byzantine Project

Doxastikon and Theotokion for the Tenth Eothinon at the Praises, Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for Eothinon 06, Tone 6

Grouping: 
Matins, Kazan Byzantine Project

Doxastikon and Theotokion for the Sixth Eothinon at the Praises, Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 6

Grouping: 
Matins, Kazan Byzantine Project

Praises and Resurrectional Stichera, Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 6

Grouping: 
Matins, Kazan Byzantine Project

Prokeimenon for the Resurrectional Orthros Gospel, Tone 6/Plagal Second Mode, from the Kazan Matins book.  Updated 11/22/16.

Vespers, Kazan - Glory, Slow Final, in Various Tones

Grouping: 
Vespers, Kazan Byzantine Project

Slow (Sticheraric) Final Glory in the various tones, from the Kazan Vespers book, adapted. Updated 1/14/17.

Vespers, Kazan - Glory, Fast Final, in Assorted Tones

Grouping: 
Vespers, Kazan Byzantine Project

Fast Final Glory in various Byzantine tones, from Kazan Vespers book.

Resurrectional Theotokion at the Apolytikia, Tone 6 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 6/Plagal Second Mode.

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